I have started to add more sections and more family trees.
The new sections are and will be about our historical houses on Combe Down.
The first section is for Isabella Place and covers the building of Isabella Place and some of the things going on in Isabella Place from 1800 – 1900.
In these new sections I do not go into as much detail as I have for 113 – 117 Church Road.
Obtaining all the information there is about those 3 houses (and Claremont House) has taken me around 3 years and I had many of the deeds to them.
With Isabella Place having five houses, De Montalt Place having eleven and well over 150 listed houses on Combe Down, none of which I have the deeds for, though I hope to get access to those for some of them, trying to replicate the work for ‘our block’ would take …. who knows!
So what I’m doing and will do is more of a helicopter view. I still use a range of sources – directories, censuses, newspaper archives, family trees, Google, Wikipedia etc. etc. – to try to give some useful and interesting background to each particular place and the people who lived there.
Hopefully it will be found interesting and I will add to each section as more information becomes available. That’s the nature of this type of historical research – one day you are facing a blank wall and the next you discover something.
I have also added more family trees for the owners and occupants of Claremont House and 113 – 117 Church Road in the period from 1950.
This is the last present set of family trees and take us upto c.1985. As the people who have occupied the houses since then are, mostly, still in residence or live in the area, I am not publishing their Family Trees just yet, though our own can be found at Our Blood.
(These are, now, incorporated into the “Family Maze” and all of the individual trees have been deleted from the site. They are all still available on Ancestry for anyone interested. NOTE BY RICHARD HILL ON 31 JANUARY 2024).
Perhaps the most interesting of the people this time is Cuthbert Bates who helped to pioneer the revival of interest in sixteenth and seventeenth century music in the UK.